To accompany Taylor Mac's residency at New York Live Arts, costume designer MachineDazzle reimagined NYLA's lobby and window as an extension of Taylor & MD's theatrical world.

The 1900s portion of the show focused on the songs popular in the Jewish tenements.

The war is over and the country gets back to joy. Barry and Larry return from the war, lose love and find it again. A nonagenarian teaches a teen to shake his thing. Molly Bloom has an orgasm. And Pez is invented.

Happy days are here again - or are they? the Depression ravages the country, and both the haves and have-nots are impacted. Soup kitchens are the norm and Taylor builds a shanty-town of the displaced on stage.

It's the 1940s, an era of concentration camps and camp Hollywood films. It's also a chance for Taylor to instruct us in subversive techniques to survive the unsurvivable.

Taylor and the gang enter the 1950s, an era of white flight, undermining the patriarch, young gay love, burlesque, and of course rock 'n' roll.